Through the tube into the museum - Gregor Schneider's irritating Raumplastik in Bochum Cruising passages
Area passages Architecture & Urban Design Arts Culture itself Ruhr region" Through the tube into the museum - Gregor Schneider's irritating Raumplastik in Bochum
Added: For a few moments I was really confused and was wondering how fast I probably figure out from that tube again. 100 meters can occur quite a long. But the slightly queasy feeling has then evaporates very quickly.
"I am pleased to close the main entrance of the museum." alta moda This strange record was the internationally renowned artist Gregor Schneider ("House U r") wrote in an email to the Ruhr Triennale director Heiner Goebbels. Include a museum? What's going on?
One should enter until October 12 by a tube system, the Haus der Kunst now. Who is afraid of course can also take a back door. But then you missed an unusual experience.
The event, of which we speak here, bears the simple title "Art Museum", today provided a related media buoyancy at the Bochum Museum and probably the cosmopolitan image of the municipality beneficial. When you see it sarcastic, the city of Bochum in Duisburg Mayor Sören link can thank.
Link had known, highly self has, Gregor Schneider's installation "dead weight" to cancel the Lehmbruck Museum. Specious reasoning: After the disaster at the Love Parade (July 24, 2010) Duisburg was still not ready for such, perhaps fear-inducing events. It was here by no means a dangerous mass casserole.
In the lead Ruhr Triennale you saw links decision as an act of art-censorship - and mused on Remedy. Lo and behold, Bochum jumped in Duisburg - not with a takeover of the "dead weight", but with a different installation cutter. alta moda
In a true show of strength Triennale, Museum Bochum and of course Gregor Schneider made itself alta moda within five weeks that now an accessible sculpture (just the tube) through the Kunstmuseum Bochum leads. In fact, you can build now no longer enter through the main entrance, but is just passed through that tube system that Schneider has placed transversely alta moda through the museum.
Only singly or at most in pairs may be the 100-meter-long tube foot (diameter 1.80 m), the next visitor alta moda will be allowed only in the measured distance into it. Real panic as can hardly arise.
So you go through the museum (or quasi through the intestines), without actually entering it. It is on the road now and then quite dark, but not so dark that you can no longer saw the hand in front of eyes.
Certainly: You feel a little cramped in the tube. At one point it seemed alta moda pretty hot. Perhaps the sunlight? The turns of the trail also lead ever in a dead end. You have to open some doors and finally enters a few more enigmatic space. alta moda Should we reveal even more now? Or should rather not make any (r) visitors (in) own experiences?
Do not worry: no one is inside really left there alone. There are several exits in between and people who watch at both ends of the tube. However, one creeps in between also the ambivalent feeling that they would secretly monitored.
The art curator Veit Loers writes, Gregor alta moda Schneider wander under the "role of the visitor in the art museum as the one-screen voyeur" with this installation. And: "The tubes expedition to the museum promotes the nightmare rather than the educational experience."
Yes, if one ponders pretty alta moda neat, one may rightly put these and other sentences. Bochum Museum director alta moda Hans Günter Golinski, who, as it considered it as a matter of honor for the Ruhr, that a district-city houses such installation, says there are many interpretations for this work. Well would it be if they were not added to the total discretion.
If you have mastered the tube tunnel, can one but, finally arrived in the "real" museum, look at art in a conventional manner - for example, currently the collection of Bochum entrepreneur Frank Hense (including alta moda Mel Ramos, Mischa Kuball, Stephan Balkenhol). Should alta moda I be honest? I was kind of glad when I have seen the same in the other hall a couple portrait by Max Pechstein. Whether alta moda this is an effect of the tunnel?
The irritation alta moda (in culture alta moda jargon: "Verstörungen") to which it applies Gregor Schneider again, so are temporary. Whether one looks at sustainable differently after this temporary experience equal to the whole institution of the museum, remains to be seen. Whether one is existentially confronted with himself, would also be
Area passages Architecture & Urban Design Arts Culture itself Ruhr region" Through the tube into the museum - Gregor Schneider's irritating Raumplastik in Bochum
Added: For a few moments I was really confused and was wondering how fast I probably figure out from that tube again. 100 meters can occur quite a long. But the slightly queasy feeling has then evaporates very quickly.
"I am pleased to close the main entrance of the museum." alta moda This strange record was the internationally renowned artist Gregor Schneider ("House U r") wrote in an email to the Ruhr Triennale director Heiner Goebbels. Include a museum? What's going on?
One should enter until October 12 by a tube system, the Haus der Kunst now. Who is afraid of course can also take a back door. But then you missed an unusual experience.
The event, of which we speak here, bears the simple title "Art Museum", today provided a related media buoyancy at the Bochum Museum and probably the cosmopolitan image of the municipality beneficial. When you see it sarcastic, the city of Bochum in Duisburg Mayor Sören link can thank.
Link had known, highly self has, Gregor Schneider's installation "dead weight" to cancel the Lehmbruck Museum. Specious reasoning: After the disaster at the Love Parade (July 24, 2010) Duisburg was still not ready for such, perhaps fear-inducing events. It was here by no means a dangerous mass casserole.
In the lead Ruhr Triennale you saw links decision as an act of art-censorship - and mused on Remedy. Lo and behold, Bochum jumped in Duisburg - not with a takeover of the "dead weight", but with a different installation cutter. alta moda
In a true show of strength Triennale, Museum Bochum and of course Gregor Schneider made itself alta moda within five weeks that now an accessible sculpture (just the tube) through the Kunstmuseum Bochum leads. In fact, you can build now no longer enter through the main entrance, but is just passed through that tube system that Schneider has placed transversely alta moda through the museum.
Only singly or at most in pairs may be the 100-meter-long tube foot (diameter 1.80 m), the next visitor alta moda will be allowed only in the measured distance into it. Real panic as can hardly arise.
So you go through the museum (or quasi through the intestines), without actually entering it. It is on the road now and then quite dark, but not so dark that you can no longer saw the hand in front of eyes.
Certainly: You feel a little cramped in the tube. At one point it seemed alta moda pretty hot. Perhaps the sunlight? The turns of the trail also lead ever in a dead end. You have to open some doors and finally enters a few more enigmatic space. alta moda Should we reveal even more now? Or should rather not make any (r) visitors (in) own experiences?
Do not worry: no one is inside really left there alone. There are several exits in between and people who watch at both ends of the tube. However, one creeps in between also the ambivalent feeling that they would secretly monitored.
The art curator Veit Loers writes, Gregor alta moda Schneider wander under the "role of the visitor in the art museum as the one-screen voyeur" with this installation. And: "The tubes expedition to the museum promotes the nightmare rather than the educational experience."
Yes, if one ponders pretty alta moda neat, one may rightly put these and other sentences. Bochum Museum director alta moda Hans Günter Golinski, who, as it considered it as a matter of honor for the Ruhr, that a district-city houses such installation, says there are many interpretations for this work. Well would it be if they were not added to the total discretion.
If you have mastered the tube tunnel, can one but, finally arrived in the "real" museum, look at art in a conventional manner - for example, currently the collection of Bochum entrepreneur Frank Hense (including alta moda Mel Ramos, Mischa Kuball, Stephan Balkenhol). Should alta moda I be honest? I was kind of glad when I have seen the same in the other hall a couple portrait by Max Pechstein. Whether alta moda this is an effect of the tunnel?
The irritation alta moda (in culture alta moda jargon: "Verstörungen") to which it applies Gregor Schneider again, so are temporary. Whether one looks at sustainable differently after this temporary experience equal to the whole institution of the museum, remains to be seen. Whether one is existentially confronted with himself, would also be
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