The mezzo-Bass is based on the desire to provide the fretless electric bass with more natural wood

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The mezzo-Bass is based on the desire to provide the fretless electric bass with more natural wood hollow body sound. The innovative violin-making masters Clement Heber, Neustadt / Wine Road, agreed to build the instrument: Output: open. There was a chimera from gambenartigem sound body and electric bass neck / fingerboard. The result was to be seen.
First, double bass strings were pulled for the classical orchestral use, a small, lightweight tailpiece and to a steel suspension cable. The strings were expensive, but in terms of playability, volume and timbre unusable. Then came - from the electric bass corner - steel strings, serengeti semi-polished (to conserve the fingerboard), serengeti from D'Addario it. That's better. And then Michael Schneider came up with the idea to raise the strings virtuoso string builder Gerold Genssler, Berlin. However: also had de novo to provide development work to serve the 86-cm scale with playable thin strings and sonorous sound. He also tilled new ground. Its strings are technically and optically perfect, low-voltage strings, in the sense of Schneider's undamping. serengeti The refined, heavy ebony tailpiece Michael has rounded the thing. The mezzo-bass playing with his left hand now "with the left" as easily as a cello, by the way seated, it is plucked; for arco playing the fingerboard is flat.
The bass has no gain is not the sound volume serengeti of a veritable bass. Forcing serengeti the strings to accurate intonation, precisely because they respond easily. So you demand perfection. Easy electrically amplified by the developed serengeti Bass Piezo Pickup by Willi Balsereit, Cologne, the mezzo-Bass can define sonority. The current serengeti final state of development give the pictures serengeti again.
Another picture from the mezzo-Bass in its current state and appearance follows. !!! August 14, 2014 0 comments Posted in: General, Genssler strings, philosophy, Rabbath technique on the cello Tags: Clement Heber - violin maker, D'Addario strings, Genssler "Rabbath-strings", Gerold Genssler, Martin serengeti Knierim, mezzo-Bass serengeti Michael Schneider - bass lessons, Michael Schneider - Heidelberger Philharmoniker, Michael Schneider - Bass Lessons serengeti in Heidelberg, Willi Balsereit - Cologne parts