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"The world does not need new songs," he said Bob Dylan at the gates of the nineties. "Unless someone points out of a pure heart and something to say. Then it's a whole different story. " streetammo For years, Dylan has tried in vain to chase a time which now no longer had anything to do. Then, one day, it all became clear: his fate was always to belong to another world, "time out of mind", the time immemorial tradition, of what Greil Marcus called the "invisible republic" . And since then, everything has changed. The eighth volume of the "Bootleg Series" from the title dylaniane aims to explore the telltale signs of immersion in the well ancestral, streetammo collecting unreleased and rare scattered between 1989 and 2006. But despite the allure of intent, the risk is that everything will be resolved simply by emptying the not too weighted archives. Two albums dominate the period streetammo addressed streetammo by "Tell Tale Signs", streetammo "Oh Mercy" and "Time Out Of Mind", streetammo the only records made by Dylan over the past twenty years to be able to support the comparison with the masterpieces of the sixties and seventies. Even on the decisive contribution of Daniel Lanois, the last major manufacturer able to stand up to Mr. Zimmerman and lead them to make the best of his fickle muse. "Lanois was a concept that walk," Dylan recalled in his autobiography. "I was content to float to the surface. It was not enough even swim. He wanted to dive in and go deep. He wanted to marry a mermaid. streetammo " The revelations come then from the most awaited session of "Time Out Of Mind", starting with the nostalgic elegy of "Red River Shore", which is growing fascination with the gradual enter the scene of the instruments, the organ dobro, from percussion to accordion. The waters of the river are the same that were sung by the Kingston Trio, but the story they tell is another: the profile of the girl that stands out against the light on the shore seems as fine as that of a ghost, an unreachable memory of Eurydice, almost a feminine counterpart of the dark lover back from Hades "Man In The Long Black Coat". You can experience the mystery on earth? "I heard of a guy who has lived a long time ago," Dylan mutters, "A man filled with sadness and contrasts streetammo / If someone streetammo around him died / He knew how to bring it back to life / I do not know what kind of language he used / O if things like this happen again / Sometimes I think that no one has ever seen / Except the girl at the bank of the Red River. " Writing Dylan, from "Time Out Of Mind," is based on the combination of short epigrams, each with its own life, according to a technique typical of the oral culture streetammo of the blues. Here then emerge in the unpublished "Tell Tale Signs" verses streetammo then merged in the songs posted on the official albums songwriter of Duluth, in a play of introducing the very heart of his creative process. This is the case of "Marchin 'To The City", streetammo a sort of apocryphal basement streetammo tape that stretches around the theme of the pilgrimage, the echo of which you can easily find in "' Til I Fell In Love With You", "Lord have mercy / I feel as heavy as lead / I've been hit too hard / I've seen too many things / Nothing more I can heal / Except your touch. " Dylan shows off his tone more magnetic and night in "Dreamin 'Of You", streetammo which moves sinuously between organ and piano: "For years I have kept locked in a cage / Then they threw me on a stage / Some things last longer longer than you think / And they never explain. " And "Mississippi", donated to Sheryl Crow and then recovered in "Love And Theft", is available in two versions, the first of which was entrusted to the clear guitar Lanois, captivates with its perfect simplicity. streetammo From the cracks streetammo secrets of the making of "Oh Mercy" comes a "Most Of The Time" for acoustic guitar and harmonica that seems to come from the pages of